ltd re-press !! classic aphex twin / warp cut.. 1993 wax trax

theodor zox is no exception and after a couple 12inch on morris-audio, releases and remixes on his home labels tic tac toe and 3rd floor he is now on the ramp to be >the man with the groove<! minimal yes… but funky even more!!! rolling bass lines, driving chords and a great sense for arrangements, he is spoiling us with 3 amazing tracks! run away and system of play are 2 typical zox s cut! sharp hh and fat snare sounds with some weird abstract synth lines and vocal samples, that just gives to the whole thing coherence and personality! 2 solid dj tool to use with no moderation! question suggestion on the b-side is for us a masterpiece! all theodor s musicality and also his ability to make people dance are in this track. it s deep and it has such of a strong character that it can be dropped at any moment and it will get you anyhow and… every-time! a great bass/synth hook line with some oriental melodies… no clichés, just good shite!

massive electronic house remix by famous linus loves, incl r&b original !!

tlc gets the funky cut up todd edward remix !!

john >julius< knight returns to the production forefront with his highly anticipated soulfuric trax ep >trax for my head<. >trax for my head< features three very diverse productions and is set to capture the attention of a wide range of djs, making this ep a perfect example of jjk s ability to create varied sounds to maximum effect. >the cut< rolls in as a captivating >french kiss< style tune, that fuses classic house sounds with contemporary beats, making this a seriously gripping instrumental-only track. most likely the biggest surprise production-wise, >the rush< is a laid-back but equally powerful tech cut. the blend of atmospheric sounds, tight beats and a driving bassline creates a sublime musical weapon. with >what is love< jjk delivers a prime-time bomb, that is set to create some real heat on the dancefloors. uplifting strings and a pumping bassline build the core of this explosive production

theodore girthkins,bosco jackson and terell robinson join forces for the most funked up jacked out release to date on this label. starting off is the spudda dudda doo making use of the original sample that gave birth to the 90s anthem gimme some horns with a few additional parts. brilliantly constructed and absolutely essential. flip for corruption, another rare gem being cut and polished as only these three gypsies know how

re-issue of three killer rare tracks - g.a.n.g. s >kkk< is a much sought after italo disco cut from 1983, an amazing deep and tripped out electronic instrumental disco track, >my boss< from linda di franco, produced by don was, is an incredibly rare balearic piece from the mid 80 s that was featured on harvey s >sarcastic mix<, finally >octagon< by onyx is a druggy, spooky, mid tempo electronic synth track that was only ever previously available on a rare 7inch single

first release by mr gelderblom on stereo cool lets go all the way is a percussion driven funker with a nice sax line flip over for rio at night a latin inspired deep house cut and the jackin respected dont miss this ep

the track bandits series continues with legendary us house music producers diggin through the crates and adding new life, to lost forgotten disco/funk tracks, from the 1970s and 1980s us underground. the tbs this time dig that lil bit deeper to provide two more disco classics, cut up, extended and re arranged in an old skool re edit style especially for the dancefloor. first up we have the genius that is curtis mayfield with what is my woman for, taken from the 1979 album heartbeat on rso records us. the track gets the track bandits treatment turning it into a cosmic disco/boogie gem, whilst the flip sees lenny williams with please dont tempt me originally released on 12 in 1977 on abc records us. the track also appears on the album choosing you released in the same year on abc. this again gets the old skool edit treatment with the dancefloor in mind, making this another essential release by the track bandits

eon is back with a kille electro cut

the first cut from their landmark album entitled >i.b.b.<, presented by this japanese-born world class human beat box trio, maurice fulton decided to take this exclusive remix role only for the fans of 12 wax, since that time he got along with the trio at the biggest music festival in australia, big day out

beautiful soothing stuff from jus ed’s fantastic imprint. the original cut is a inspired floating mix of rhodes, strings and a bouncy percussive beat. additionaly theres a more driving mix by jus ed, a oldschool house take by bu mako and a more laid back broken offering from black jazz consortium. quality stuff all around

two funky si begg styled electro mover

minimal ist absolut trumpf auf diesem 4 tracker von den radboud mens beats und clicks schieben jedoch ordentlich vorwaerts schoene sache fuer alle die viel und gerne mixen

extra cool arse shaking tech tracks ... incl luna city express rmx !!

number 25… time to do something special again. therefore we compiled four tracks by artists from our mo s ferry pool on this 12inch. the opening track is >nowhere in kansas< by featured with awesome vocals by abe chapman. after this we have tanaka hideyuki s >let me see< which was released on marcel knopf s -bits to phono mix- cd first. finally, we cut the track on vinyl. the other side is >kick< ed by his fellow countryman hidenobu ito, who debuted for us on fenou03. the mini compilation is concluded by label owner dapayk solo himself with a previously unreleased track named >cleansea<. for the occasion we decided to put the record in a unique stamped cover artwork. it s good to have a touchable medium like vinyl, that offers such a potential..

4 track ep mit orientalischem techno !!!

around the fresh video cut we collected different remixes for every electronic taste: niki b & christian e.f.f.e.deliver some of their typical minimal techno genius and confirm the great reactions received from their latest releases. fabrizio mammarella, keeps the funk alive and returns on mantra vibes after some great profile remixes for bear funk, tiny sticks and brontosaurus. santos gives the favour back and closes the remix pack in true shakadelic style, slow and noisy the perfect last record for the insane dancefloors

on the way, joey negros mood house piece echoed shades of the jungle wonz from the late 80s with its retro chicago house vibes and a rolling marshall jefferson style bassline. the original player 1 cut is already a rare underground classic with props from the likes of chicken lips, giles peterson, jimpster etc magik j adds a metro area/booka shade vibe to this dope bass heavy electro jam giving dance floor appeal for both deep and minimal heads

the title track, vizard, starts the listener on a dark journey dripping with eerie rhythms and synthetic noises. a kick emerges from the moody ambience to lead the way for syncopated percussion and brooding bass.argentinas whiz kid barem pulls vizard in a funkier direction with his rework, while maintaining the moody atmosphere of the original. with shuffling percussion and a bassline designed to invigorate, the haunting beeps add the slightest oomph while keeping the listener shrouded in mystery as to where the track will travel next.i gotta move on is a melting pot of dark, groovy and quirky ingredients, a recipe perfected simply for enjoyment. the vocal samples are chopped so fine youd think they were cut with a chefs knife

a side feat 2 electro flavoured mixes by moratto flip over fot 2 funky mixes by datura

a three track ep, showcasing samim s range of different flavors. on a1, samim hits you with >paspd< feat. big bully, guest vocalist on previous release like samim s >house nation< (tuningspork) and fuckpony s >ride the pony< (getphysical). the tracks funky, bleepy, hypnotic flow is bound to open up your eyes and get you bouncing. a2 features >masua<. a dry, hard hitting, percussion driven track, accented with bleep textures and breakdowns from outer space. a bumber. on b1, >hardma (unfinished sympathy mix)< takes you further to the light. this special cut was recorded live, raw and direct at the mimas hq. the right choice for rush hour, intense as hell! finally on b2 >do you see the light?< rounds up the ep. the special interlude features a special performance by >preaching ark of light<

dubsided has created a name for quality club music with an edge, and growing an audience of discerning music buyers. >see me< features three tracks of funked up fidget house at its best. from the boompty acid house of the title track to the wobbly jackin third cut this is a well-rounded, peak-time 12inch

after his much applauded tribute to manuel göttsching, norwegian martial arts grand wizzard blackbelt anderson returns with another deadly sample of his secret technique: the main cut >alfaz de pi< molds the ancient styles of cowbell driven space disco and ruff acid into a powerfull weapon for dancefloor action. >sandoz< overwhelms in a more gentle way with its sweeping balearic chords and the melancholic melodie while the prins thomas edited >snake eyes< hands out some hard capoeira style slaps. surely one of the most crushing releases on full pupp so far.

label owner glenn wilson kicks of his 2006 assault by teaming up with stockholm new breed manuel fuentes. a1 sees glenn lay down a slamming stripped down twisted fat cut, >make um clap< which rips through some analogue sequences and pitched voxs, while keeping some solid twisted funky edits this cuts never eases up from start to finnish, manuel pumps the b1 with unity a fierce slammer which breaks down into nice grooves while layered with funky drums and percussion. glenns >we got too< cut, completes the release with once again a tough voxed workout appealing to the harder funk mob

minimal as dry as the tundra, bassdrums with the charm of a frozen lasagna, and along with these are served various audiosplinters and mean little sound coming out of nowhere. this all together will make your ears shake and your legs vibrate. misc. cut and chopped this track in many little pieces and rebuild it all new, so every sound can live and grow in a completely new environment. two flowing-staccato tracks in slender and elegant colours..

the loose cannons return with a killer new cut entitled raw. the original mix finds the cannons dropping their trademark electro disco funk that is not that far away from superthriller. mixes come from cagedbaby who deploy a freeform five sounding mix while kissy sell out drops an almighty bass monster.

label head emerson joins holger nielson and holger flinsch(addon) who recently revitalised the legendary kiddaz.fm label with two great releases. after releases on micro.fon, hidden agenda and toratoratora, holger nielson aka holgi star now arrives on freak waves in combination with fellow producer holger flinsch from rotary cocktail. >paper bob< and >billy bob< are two strong super danceable techno tunes. cut 1 is the outstanding >bob s hope< catching you with the infectious minimal groove and cool vocals. in on remix duties is dj emerson steering the original into an mad groovy afterhours frenzy with a deep tough and a heavy bass drum & bassline

the darker offshoot from the luxaflex label resurfaces after two successful releases. both cuts have received heavy rotation and positive feedback from many of todays key players. space explorers is the brand-new project from the serbian wiz kids marco nastic and marko milosavljevic! these men can easily be describes as two of the most promising producers of this very moment. after a fresh minimal cut on luxaflex, the space explorers return to its sub label and deliver a wicked bass-heavy minimal cut. expect to hear loads more from this new collab soon, cause just boys are just getting started !!

woody mcbride has been makimg superb pioneering techno for many years now under many different guises including dj esp and this release is another real cracker. it is brought to us by american label - wreckless recordings. the 4 tracks themselves are an excellent wide ranging bunch from the menacing deep a1 cut stop to the dark and eerie b2 that is egocide

first remix features rick preston and dtc doing a deep house rework. the infectious groove is set off with crisp percussion, bubbly washes, electric guitar riff and chopped up vocaleffected into heady subliminal hooks. sunny guitar sols, warm chord progressions and timely effects round out the cut. trademarqs approach on their mix is a bit left of cente as they twist and mangle the original. they stretch and deform a few key parts into a truly unique cut. a cutting edge sound with shuffling and jacking beats leading into some massive sub bass and a haunting sustained synth line.chopped up vocals and dubbed out playful piano complete the sound

huge collaboration here between sweden s top duo tiger strips and the red-hot kerri chandler. >rain song< is an absolutely stirring vocal cut with some heavy duty afro-latin percussion and powerful brass moving things along. top peak hour track right here. on the flip you ve got two tiger stripes mixes - a hot dub and an instrumental - that take a more techier approach. very similar vibe on these to kerri s massive >bar a thym<

brill deep driven electronic space disco , with remixes by nick chacona, muallem & the light command

ultraphat jackin funky cut-up techhouse bomb !! pure sex !!! (check mix 3)... pure dope, believe me

quentin harris revisits mr v s massive anthem and maybe even exceeds the original with a sweeping, twisting monster instrumental and the vocals cut-up like crazy

repress !! the man behind the fantastic, collectible mojuba imprint and producer of some in-demand releases on styrax don williams is behind another high-class project: on the a.r.t less imprint he showcases more his detroit side and gets right down to business with a fantastic one-sider that holds a cracking peak-time cut reminiscent of maurizio s legendary >domina< track, a beautiful melodious ambient cut ( pressed inside out! ) and plus a locked-groove.

stevie sole and milton jackson have teamed up again under their baracus guise to roll out a todd terry inspired cut jus beats backed with some more stomping house music

bas mooys syndikaat imprint has quickly become an important player in labelland, gaining a growing fanbase with top of the bill quality tunes by artists such as tony rohr, agaric, hardcell & grindvik, secret cinema and eye catching, one of a kind, sleeve design. on the fifth cut the talented american eidolon, shows what he is about, delivering three wicked tracks which will definitly rock the floors worldwide. syndikaat keeps on releasing quality electronic music, showcasing a clear view on the future of techno !!

dj sneak takes us back to the era of his famous >polyester eps< with these full-on disco cut-up tunes. let the good times roll!

in persuit ot two previous killer releases featuring artist like eric sneo, tomash gee & redhead the label drops a fresh new cut with 4 peak time hard techno tracks with london taste..

hot on the heels of the prins thomas mixes come these wigged out house versions from parisian franck roger, plus the original and legendary >la stache< mix. franck roger is carving out a great reputation on the house scene at the moment, his releases on his own real tone records have set the benchmark for other productions on sonar kollektiv/innervisions, seasons recordings and kenlou records, as well as remixes of blaze, roy ayers and jazztronic. franck opts for a sophisticated house rework of >moustache<, its techy moments peeking in and out of the rattling percussion, with oodles of funk layered on top. the >la stache< original mix from blackjoy is included on this release also, a huge underground cut with the nu-disco/balearic/cosmic crowd on its first release on bob sinclar s yellow label last year, and still sounding just as vital today

markantonio strikes again with something you cannot afford to miss. the dj and producer from italy created a very steady label that always delivers the good in style and features some of the best artists around, like the advent on the previous volume and valentino kanzyani on this fresh new cut !

the man from louisiana, water jones, with a blend of raw disco beats and catchy old-school electro licks. the first track >deuteronomy brown< is an italo style dancefloor bomb, bound to drag people off their seats. >the odyssey sound< has entirely been built by using just one synthesizer, the legendary arp odyssey !! the tracks version featured on this release has been cut-up, dubbed and streamlined for optimum performance by paul mogg and supersouls xaver naudascher

played by: ricardo villalobos, luciano, magda, dan curtin, zip,.. its been a great year soo far for the talented mr. haze, as he continues to push the boundries of electronic dance music. this record is a clear cut example of why things started to get real, real hot all of a sudden. with this special release, jay s first release on the label he started 7 years ago - jay translates what it is like to be >big pimping< in berlin, germany. jay moved to the electronic music mecca just 3 years ago and has steadily advanced through one of the most competitive market places with lightining speed. so in some sense this record >berlin pimping part2< is another fond dedication record to the city which provides soo much for jay. (the first was jay s record on german label musik krause >berlin pimpin/love affair<)

nice 8 track 12inch with a wide range of electro music ... from chicago uptempo electrofunk to smoothy downbeats and funked up - cut up tracks

on the back of massive summer anthems from dark mountain group and rodermaal, buzzing fly is back. ben watt’s a&r skills and ear for a tune brings us rocco – house music for the heads. originally handed to a few top tastemakers last christmas, the release of this undoubted deep and deadly floor-killer from lyon s rocco, was delayed six months after john digweed requested it as an exclusive for his recent best-selling >transitions< mix compilation. permission granted, its now back for its official full release on buzzin’ fly and, following his dastardly cut >blood< this summer, we ve added a brand new thrumming and funky tech-dub remix from francois dubois (a.k.a. lars sandberg a.k.a. funk d void) just for good measure

the soothing modern soul cut smile (remixes) by swedish trio j man, yenza & charlie king is the 6th release from uk basic. kenny carvajal brings us a soulful house monster in a classic blaze vein with incredible keys while john kumahara remix (with martino on keys) goes more electronic

stunning hardtechno to burn the floor !!! volume two is definitely a true treat for those sick of the other part of today s scene, which is exploring there way into the infinite abyss due to their search for the ultimate minimalistic sound. in the end there will be a few clicks and cuts left and most of those in need for percussive music will be begging for rock-hard, cut the crap sharpness like this new fatalic resignation !!

for more then 10 years the french lady b. is known in the techno scene. he organiced the first acid-house and techno parties in south of france between 1989 and 93 and he also became a dj in several gay clubs in cannes. he had releases on f-com, gigolo rec., good life & many more. plus remixes for ascii disco or scratch massiv. now he is back with a powerful ep incl. 4 tracks. >stripper< is cut and go massiv banger which reminds me of sebastian(ed banger) productions. >the best will come pt.1 & 2< have a nice bassline + bleeping acid sounds and those tracks show you that the time for sampling in 2006 has just begun. >b-ware< is a pure peaktime track with a melodie that will stuck in everyones brain…